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Brought To Naught

by M25S05LF

/

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1.
Brought I 06:00
2.
Brought II 05:34
3.
Brought III 06:00
4.
Brought IIII 06:00
5.
Brought IIIII 06:00
6.
Brought IIIIII 06:00
7.
Brought IIIIIII 06:00
8.
Brought IIIIIIII 06:39
9.
Brought IIIIIIIII 06:00
10.
Brought IIIIIIIIII 06:00
11.
To 01:20
12.
Naught I 02:11
13.
Naught II 06:00
14.
Naught III 07:00
15.
Naught IIII 06:00
16.
Naught IIIII 07:21
17.
Naught IIIIII 06:00
18.
Naught IIIIIII 06:00
19.
Naught IIIIIIII 06:00
20.
Naught IIIIIIIII 06:00

about

“SIDE A”
Various objects played through guitar effects pedals: Red Panda Particle (“live looping”), MASF Possessed, Behringer VM1 Delay.
minimal, experimental, musique concrète, avant-garde, industrial, lo-fi, sound degeneration, damaged tape, soundscape, tapes, loops,

“SIDE B”
No effects pedals, no digital effects, no synthesizers, just tape speed manipulation.
Sound sources: Springs, metal, psaltery, glockenspiel, bass guitar unplugged, bowed saw, nyckelharpa
minimal, experimental, cassette tape music, musique concrète, lo-fi, sound degeneration, analog sound, damaged tape, soundscape, tapes,

EQUIPMENT:
CALIFONE 5232AV Casette Tape Recorder
SHARP SG-R300CD Stereo System
Roland Edirol R-09HR

ALBUM COVER:
Pulled-out cassette tape, shot in low light, black & white, transfigured by camera movement; no digital effects.

All tracks recorded as is, from cassettes to Roland Edirol R-09HR; no editing, mixing, nor mastering in digital audio workstations.

credits

released December 1, 2017

All tone drafting, instrumentation, recording, production, art
by M25S05LF

license

all rights reserved

tags

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M25S05LF image

M25S05LF Utah

Too many albums to try? Begin with ANTHOLOGY.
m25s05lf.bandcamp.com/album/anthology

Multiple interests and instruments.

Other compilations:
Collection 01: Guitars
Collection 02: Melody
A CHRONICLE OF ERRORS I & II;
A GUIDE TO BEAT PHARMING;
One of each 2019, 2020, 2021, 2022-23

Thanks for your support! ... more

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